If an artist benefits from making art about an underrepresented group, should said artist try to use the rest of their career to benefit said group?
Continue reading “Take a Dink”
If an artist benefits from making art about an underrepresented group, should said artist try to use the rest of their career to benefit said group?
Continue reading “Take a Dink”
The exact same play can land differently on either side of the pond.
Continue reading “Rock the Boat”
Why is the barkeep the sole character not to tell a ghost story in The Weir?
Continue reading “The Keep and the Fly”
The stage — especially in a musical — is uniquely positioned to showcase the importance of Joy Mangano’s Miracle Mop.
Continue reading “Joy Over Oy”
Welcome to the second installment of Write All Nite’s “Pulling a [Name]” series.
Continue reading “Janet and Bruce”
Typecasting comes in two forms.
Continue reading “Angry John”
What’re the odds that two separate musicals last season would have songs titled “Something from Nothing” and “Something Out of Nothing?”
Continue reading “From Out Of”
Emma Rice’s decision to add a narrator to her stage adaption of North by Northwest leaves open the possibility that the entire production is meant to be understood as propaganda.
Continue reading “Narration Fabulation Nation”
Theater casting bends realism more than movie casts.
Continue reading “Embodied”
Washington D.C.’s Arena Stage premiered a musical version of A Wrinkle in Time this month.
Continue reading “A Residency Wrinkle”