Why did modern playwrights stop inserting breaks in between scenes?
Continue reading “Hold Please”
Why did modern playwrights stop inserting breaks in between scenes?
Continue reading “Hold Please”
If you ask me why a title was chosen to be the primary label for a piece of art, I can scrounge together too many connections between the titular word/phrase and the art’s content.
Continue reading “Heteronymity”
If you plan to see — and you should — Public Obscenities at Theatre for a New Audience before it closes on Sunday, then take my experienced advice:
Continue reading “Right is Right”
If you plan to see Taylor Mac’s Bark of Millions this week, it would be wise to primer yourself beforehand.
Continue reading “Words to the Wise”
Festivals provide a cross-section of what’s tickling artists’ ivories at that specific juncture in time.
Continue reading “UTReverberations”
Art about the making of art is ubiquitous.
Continue reading “The First in Memory”
Stephen Sondheim, master of constructing bookends.
Continue reading “Stephen Symmetry”
Eric Berryman’s Get Your Ass in the Water and Swim Like Me is back at the Wooster Group’s Performing Garage through February 3; here’s what I wrote about an earlier iteration of the show from September 2022:
Continue reading “Master Wooster”
There’s an art to making music.
Continue reading “The Music of Making Music”