Theater has never been the most responsive of art forms.
Continue reading “Two Shows”
Theater has never been the most responsive of art forms.
Continue reading “Two Shows”
A monologue-heavy two-hander with a bare set has become all the post-Covid rage.
Continue reading “What the Staging Becomes”
“I’ve never known a miracle not born through pain.”
Continue reading “Mary Me”
Does anyone else remember Anne Washburn’s Shipwreck?
Continue reading “Not Wrecked Yet”
Here’s another doubling involving Days of Wine and Roses’ angular-roof set:
Continue reading “No Place Like Home”
If the posted runtime for a 7pm start-time reads, “two hours, with a 15-minute intermission,” do you expect the show to be done by 9pm or 9:15pm?
Continue reading “Whining”
The foremost chronicler of onstage nudity has logged back on.
Continue reading “Not Again”
Correlation or causation?
Continue reading “Amendmenting”
Why did modern playwrights stop inserting breaks in between scenes?
Continue reading “Hold Please”
If you ask me why a title was chosen to be the primary label for a piece of art, I can scrounge together too many connections between the titular word/phrase and the art’s content.
Continue reading “Heteronymity”