When I was but a wee lad, the industry joked about how Hollywood movies went out of their way to end on a note that could be fleshed out into a sequel.
Continue reading “Moped Daddy”
When I was but a wee lad, the industry joked about how Hollywood movies went out of their way to end on a note that could be fleshed out into a sequel.
Continue reading “Moped Daddy”
“…but did you like it?”
Continue reading “Write On”
One of my favorite artistic pastimes:
Continue reading “The Lost Vocation”
People have been known to ask me how I wade through EVERY NEW MOVIE released in theaters to determine which to see.
Continue reading “Calculus of a Release”
Tár threw Noémie Merlant’s hat in the ring for the title of cinema’s foremost starer.
Continue reading “More Than a Starer”
A globalized America deserves a globalized cinema.
Continue reading “Smoke Break”
Open captions challenge my preference for ambiguity in art.
Continue reading “Food of Love for Fodder”
If diehard moviegoers — yes, we still exist — don’t check in advance, they’re liable to find themselves in an open-captions screening.
Continue reading “Open Interpretations”
Disney is not Disney today without Alan Menken.
Continue reading “Menken It”