Baldwin and Buckley at Cambridge is at least the third example in six months of artists using their latest work to stage explicit self-castigations of their own past work.
Continue reading “Culpability”
Category: Remember All the Movies, Terry, We’d Go See
Voodoo, Indeed
When playing a celebrity, actors can don one of three general approaches:
Continue reading “Voodoo, Indeed”
Hysteriacal
Terrifier 2 has Charlie Chaplin’s Tramp written all over it.
Continue reading “Hysteriacal”
All Expressions on the Artistic Front
Two straight days of calling attention to seemingly throwaway moments in art that nevertheless demonstrate the practical alchemy of the relationship between audience and art.
Continue reading “All Expressions on the Artistic Front”
Scowl
“Why is this movie talking down to me?” is a criticism usually lobbed at “artsy-fartsy” cinema.
Continue reading “Scowl”
Roles Roles Roles
Memory is slippery.
Continue reading “Roles Roles Roles”
Disparate
I wrote too soon.
Continue reading “Disparate”
Posturing
The most underrated component of an actor’s performance: their posture.
Continue reading “Posturing”
Three Thousand Years of Nope
What’s a bad miracle?
Continue reading “Three Thousand Years of Nope”
Beasting
When dealing with a “fuck around and find out” movie about a bloodthirsty lion violently terrorizing an American family who decided to go on the wrong South African safari, I didn’t expect my main takeaway to revolve around the cinematography.
Continue reading “Beasting”
Write All Nite 