Shiva Baby mines the fine line between comedy and horror.
Continue reading “Shiver Baby”
Shiva Baby mines the fine line between comedy and horror.
Continue reading “Shiver Baby”
Did you know that I also read books?!
Continue reading “Klara and the Science Fiction”
Waaaaay back in March 2021, I shared the following observation in response to The Courier:
Continue reading “Benedict CumberHitch”
Filmmaker Kelly Reichardt is to Oregon / the Pacific Northwest and film what playwright Samuel D. Hunter is to Idaho and live theater.
Continue reading “Reichardt Retrospective Rankings”
The relationship between the first scene of the Oscars-shortlisted (should’ve been Oscar-nominated) 76 Days and the rest of the documentary is the art of juxtaposition.
Continue reading “A Defining Bug”
Every year, movie theaters are treated to a handful of fleet-of foot geopolitical thrillers — usually period pieces (easy style points) about historical events most will want to learn more about (easy commercial points) — with starry names (usually more in front of the camera than behind) and workmanlike craftsmanship (the acting tends to trump the filmmaking).
Continue reading “Don’t Shoot the Messengers”
Soul is the latest in a long line of movies that have led me to a self-realization:
Continue reading “What’s a Soul, and How Does It Work?”
Come True’s score is stuck at 11, befitting a movie that does the most from the jump without ever letting up (for better and for worse).
Continue reading “Hear True”
Yes, God, Yes (what a title!) is a cumming-of-age tale.
Continue reading “Innuendo”
Let me get on my critical soapbox for a few paragraphs:
Continue reading “Unknown”