Ending a story at a point that feels premature can inspire us to consider the message conveyed by this seemingly-incomplete conclusion.
Continue reading “Edge of Apocalypse”
Ending a story at a point that feels premature can inspire us to consider the message conveyed by this seemingly-incomplete conclusion.
Continue reading “Edge of Apocalypse”
Welcome to the second installment of Write All Nite’s “Pulling a [Name]” series.
Continue reading “Janet and Bruce”
By definition, puff pieces ostensibly intend to honor their subjects.
Continue reading “The Last Reich”
If I had to guess, every single one of you knows at least one family who’s dealt with Alzheimer’s or dementia.
Continue reading “From Six to Seven”
Celine Song drops two theater-themed Easter eggs in Materialists, befitting her background — AND HOPEFULLY FUTURE — as a playwright:
Continue reading “Celeaster Egg Song”
I’ve seen damn near every filmed recording of a London production that’s been screened in NYC movie theaters.
Continue reading “Out, Damned Camera”
What do you remember about Pixar’s Up?
Continue reading “Rise and Cry”
The Shrouds isn’t the sole ending in theaters now that feels abrupt enough to have made both of my audiences guffaw at the sheer surprise of the credits rolling.
Continue reading “Resolute”
Contemporary art isn’t shy about discussing abortions.
Continue reading “April Years”
I’m not a fundamentalist when it comes to the use of AI in art.
Continue reading “The Clouds”