Abbas Kiarostami is a master of structure as theme.
Abbas Kiarostami is a master of structure as theme.
Ask and me shall receive.
A pictorial double-feature joke — not to be mistaken for a joke double-feature, nor a joke of a double feature — that three of you will understand:
Continue reading “A Double-Feature Joke (Not the Other Way Around)”
Rarely do I read about a movie before writing about it.
Here’s one more pro and con — depending on your perspective — to the theatrical vs. home-viewing debate that occurred to me post-posting on Friday:
As with every discussion that tries to adjudicate the pros and cons of the theatrical-vs.-home viewing experience, what I’m about to discuss is wholly subjective, steeped in nothing more than personal preference, even if others might relate to the feeling.
Speaking of Dekalog, where’s our 21st century Dekalog??
Two examples, each anchored around Eyes Without a Face, of how the ordering of a double feature can change how the viewer sees the second movie.
Speaking of McCabe & Mrs. Miller, here’s a cross-century scene comparison between westerns of a different color, anchored by a similar leading presence:
Pair McCabe & Mrs. Miller with 3 Women for a Robert Altman double-feature of titles that center characters who would otherwise be considered mere supporting players.
Continue reading “When It Comes to Character-as-Theme Titles, Robert’s the Altman”