Most productions treat entrance applause as a mere break in the action, a pause to allow the audience to celebrate a luminary.
Continue reading “Hold Your Applause”
The Clouds
I’m not a fundamentalist when it comes to the use of AI in art.
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Trigger Unhappy
The Years, or: when trigger warnings double as dramaturgy.
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Full Monties
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
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(Art)ificial
2025 Cinema is becoming a chronicle of AI’s continued encroachment onto screens around the world.
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Off Market
Name a major city in America, and I should be able to rattle off a list of countless movies famously shot set on its streets.
The First Gaffe
Attention spans are fickle.
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In Ourselves
Differentiation is a form of highlighting.
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Oops
A technical difficulty during my performance of Boop! doubled as a lesson in staging.
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AYM
Manhunt is Nicolas Winding Refn’s Bronson for the stage.
Continue reading “AYM”
