Attention spans are fickle.
Continue reading “The First Gaffe”
Attention spans are fickle.
Continue reading “The First Gaffe”
Differentiation is a form of highlighting.
Continue reading “In Ourselves”
A technical difficulty during my performance of Boop! doubled as a lesson in staging.
Continue reading “Oops”
Manhunt is Nicolas Winding Refn’s Bronson for the stage.
Continue reading “AYM”
What’s up with British productions staging moments in which their actors exit not only the stage, but the entire theater?
Continue reading “Exeunt”
Cymbeline, but make it Denis Villeneuve’s Dune.
Continue reading “Cymbelspice”
Deviating from cliches in art can draw attention to the deviation.
Continue reading “No Chill”
Vanya is about to offer New Yorkers a rare experience.
Continue reading “Vanya and Vanya”
Cameron Mackintosh’s (or is it Matthew Bourne’s?) Oliver! — now at London’s Gielgud Theatre — has the aesthetics of Tommy Kail’s Sweeney Todd.
Continue reading “Reviewing the Situation”
I’m no scholar of antiquity, but my understanding of Greek tragedies is that they oscillate between character scenes and chorus scenes.
Continue reading “Choreous”