Talking about dance can be like talking about sex:
Continue reading “Pas de Deuxs”
Talking about dance can be like talking about sex:
Continue reading “Pas de Deuxs”
Kyoto fits snugly in the worn formula of a character guiding us through a historical event and their personal role in it.
Continue reading “Exit Through the Lobby”
oh, Honey and Inter Alia revolve around the same central premise:
Continue reading “Doubling”
What if too much of too much theater is too verbal?
Continue reading “Thousand Words”
The NYU Skirball Center seems like an unlikely venue for Samuel Beckett’s Krapp’s Last Tape.
Continue reading “Krapp’s Last Space”
Punch and Urchin can be interpreted as presenting diametrically-opposed arguments regarding the utility of restorative justice.
Continue reading “Restoration”
There are two types of intermissions.
Continue reading “Intermissioning”
Hot take: Playbills should be handed out at the END of a performance.
Continue reading “Postbill”
Even though Honor was not produced by The Wooster Group, the production answered an age-old question for my fellow Wooster faithful:
Continue reading “Cannot Sit Back, Cannot Relax, Cannot Enjoy”
Ceilidh utilizes an early twist to set up the audience for the emotional gut punch that is the climactic second twist.
Continue reading “Do the Twists”