What if too much of too much theater is too verbal?

The NYU Skirball Center seems like an unlikely venue for Samuel Beckett’s Krapp’s Last Tape. 

There are two types of intermissions. 

Even though Honor was not produced by The Wooster Group, the production answered an age-old question for my fellow Wooster faithful:

The vast majority of subtitled productions project the translated text line by line onto screens around the stage/house.

The ending of Richard Nelson’s When the Hurlyburly’s Done is proof positive of how applying auteur theory can alter analysis of the auteur’s individual works.