Have you ever heard the theory that home-viewing curbs audience engagement, because we’re in control of the remote?

Speaking of London theatre double–features and The National’s The Motive and the Cue:

In case it hasn’t been clear, I just returned from a theater theatre week in London.

When a theater complex houses multiple stages, resonances can be drawn between simultaneous productions.

Johnny Flynn is the caliber of British thespian all but expected to eventually unleash his Hamlet on the world (or, at least, on London).

Ambulatory stagings like Guys & Dolls at London’s Bridge Theatre reposition the customary relationship between audience and art.