Stephen Sondheim, master of constructing bookends.
Continue reading “Stephen Symmetry”
Stephen Sondheim, master of constructing bookends.
Continue reading “Stephen Symmetry”
Eric Berryman’s Get Your Ass in the Water and Swim Like Me is back at the Wooster Group’s Performing Garage through February 3; here’s what I wrote about an earlier iteration of the show from September 2022:
Continue reading “Master Wooster”
Speaking of Godra:
Continue reading “With And”
Back in November of 2022, Write All Nite published a list of the thespians next in line to play Mama Rose.
Continue reading “Gypsy Waitlist, Updated”
If you want to sell out an off-Broadway show, cast Will Brill.
Continue reading “Brillophonic”
Leave the World Behind has been put through the Covid ringer, transforming it into an artifact of how the Covid Era shapes contemporaneous art.
Continue reading “Left Behind”
The foremost chronicler of how plays use nudity for dramaturgical purposes has logged back on.
Continue reading “Nudity’s Theater”
Countless movies begin with the text card “Based on a true story.”
Continue reading “Based”
Jocelyn Bioh specializes in bringing the style of screen genres to her ensemble plays.
Continue reading “Dramauteur”
Wes Anderson’s The Wonderful Story of Henry Sugar = Elevator Repair Service’s Gatz.
Continue reading “Audiovisualbook”