The Years, or: when trigger warnings double as dramaturgy.
Continue reading “Trigger Unhappy”
The Years, or: when trigger warnings double as dramaturgy.
Continue reading “Trigger Unhappy”
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
Attention spans are fickle.
Continue reading “The First Gaffe”
Differentiation is a form of highlighting.
Continue reading “In Ourselves”
A technical difficulty during my performance of Boop! doubled as a lesson in staging.
Continue reading “Oops”
Manhunt is Nicolas Winding Refn’s Bronson for the stage.
Continue reading “AYM”
What’s up with British productions staging moments in which their actors exit not only the stage, but the entire theater?
Continue reading “Exeunt”
Cymbeline, but make it Denis Villeneuve’s Dune.
Continue reading “Cymbelspice”
Deviating from cliches in art can draw attention to the deviation.
Continue reading “No Chill”
Vanya is about to offer New Yorkers a rare experience.
Continue reading “Vanya and Vanya”