Is the Park Avenue Armory the only reserved-seating theater in the world where, when you purchase a ticket online, the website doesn’t offer a seating chart that displays the available seats??
Continue reading “The Blind Armory”
Is the Park Avenue Armory the only reserved-seating theater in the world where, when you purchase a ticket online, the website doesn’t offer a seating chart that displays the available seats??
Continue reading “The Blind Armory”
I assume most of you know that English-language movies are dubbed in countries where English isn’t the primary language.
Continue reading “Studying Unders”
Did the Atlantic Theater Company just pull off a first?
Continue reading “One Atlantic, An Ocean of Awards”
My obsession with obscured sightlines continues.
Continue reading “Blocked”
Remember when I was worried that Roundabout would fail to properly memorialize the legacy of their dearly departed honcho?
Continue reading “Hottest Toddy”
The defender of the theatrical experience has logged back on (I never log off).
Continue reading “Ha? Ha!”
Broadway’s Summer, 1976 crisscrosses with a myriad of other art from this past year (and beyond), at least in a TLDW sort of way:
Continue reading “TLDW: Summer, 1976”
Being able to project your voice without the help of microphones is considered a lost art for actors of the stage today.
Continue reading “Projecting”
While we’re on the subject of A Doll’s House, it’s time to unleash my treatise on how many other shows overuse Ibsen’s iconic-cum-cliché ending, a tradition I’ve dubbed Pulling a Nora.
Continue reading “Pulling a Nora”
Is it possible to spoil theater’s most famous ending?
Continue reading “Her Boots Are Made for Walking”