You may question the wisdom of a production that deliberately inflicts physical discomfort upon an audience for dramaturgical purposes.
Continue reading “Barriers”
You may question the wisdom of a production that deliberately inflicts physical discomfort upon an audience for dramaturgical purposes.
Continue reading “Barriers”
A play’s dramaturgy often serves to make the audience’s viewing experience reflect what the characters’ lived experience feels like.
Continue reading “Owwww”
Seems noteworthy:
Continue reading “Versus”
I’m a card-carrying member of the “actors, get over your obsession with accents” club.
Continue reading “Accentuated”
The theme of Friday’s thoughts: when an introductory text acts as a framework through which the art can be interpreted.
Continue reading “Don’t Tell Me”
Maybe there’s some credence to the theory that nostalgia kicks in roughly two decades later:
Continue reading “‘Member the Aughts”
So I saw the latest Broadway revival of Company on Monday night.
Continue reading “One of One”
In the wake of the Signature Theatre’s revival of Twilight: Los Angeles, 1992, much has been made about the racial implications of turning a one-person Anna Deavere Smith play into a multi-cast affair.
Continue reading “Obscurity and Ambiguity”
Back to my favorite gimmick: imagined double features!
Continue reading “Double Features”
Hypothesize and ye shall receive.