Only a live performance can utilize the audience’s immediate responses to shape the explicit text of the show.
Continue reading “Tight Elasticity”
Only a live performance can utilize the audience’s immediate responses to shape the explicit text of the show.
Continue reading “Tight Elasticity”
Conventional wisdom says there’s one surefire sign that a musical has a fire score:
Continue reading “Earworming”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
Staged chaos is an oxymoron in terms.
Continue reading “What Reigns”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
Continue reading “Not So Wonderful”
Watching The 7th Voyage of Egon Tichy [redux] can feel like a crazy-making experience, befitting a play about a man driven to-infinity-and-beyond his wits’ end.
Continue reading “Voyage”
It’s always a gas to track overlaps between Under the Radar productions.
Continue reading “DIY”
Memorizing lines is considered a bedrock of stage acting.
Continue reading “Eureka I Am Finding It”