Write All Nite rarely covers soundtracks.
In terms of my ever-expanding ranking of 2018 albums (see below), I think it’s unfair to pit totally original work against collections of pre-existing music, especially since the latter often come with pre-ordained quality stamps of approval; why would a movie’s music supervisor choose bad songs?
Yet much like Kendrick Lamar’s Black Panther that accompanied the Marvel bonanza earlier this year, Future’s SUPERFLY, a companion piece to the new cinematic adaptation of the classic 1972 blaxploitation flick, also consists of completely original tracks.
And that’s where the similarities end.
Black Panther wrestles with a lot of the same themes as the movie. Even though it can easily stand apart from the film on its own merits, the two almost work in tandem with each other. Their tones are both related yet differentiated, reciprocally deepening each other when put in conversation. Most of the album’s achievements can be credited to Mr. Lamar. In a rare example of truth in advertising, it doesn’t feel so much like another Kendrick album as an album curated by the master; his fingerprints are detectable everywhere. Yet he still understood when to take a back seat, letting the styles of his illustrious guests determine the identity of their individual tracks, the primary separation point from his usual solo ventures.
SUPERFLY, on the other hand, wrestles with nothing except my eardrums. It’s merely a Future album, with his customary litany of all-star features trouncing his lyrical skills in comparison.
As for its connections to the movie, why are the blaxploitation elements of Sleepy Brown’s opener entirely forsaken afterwards? These immediately-endearing and fabulously-stylish influences could’ve EASILY been incorporated into the producing! Even Khalid and H.E.R.’s contribution, the album’s pinnacle, could be interpreted as a modern version of the songs that usually bump in the background of the sultry sex scenes that are just as much a signature of the genre.
In short: SUPERFLY is the same old Future, take that as you will. He’s not my bag, but I’m in the minority on that one (case in point: Future’s responsible for 10 of the album’s 13 tracks….yet he’s not on my three favorites. You do the math).
In the album’s defense, perhaps it’s not right to evaluate a piece of art intended to be heard in a certain context. And since I have’t experienced that context yet, i.e. I haven’t seen the movie, I shall report back if the songs are somehow elevated when played over the images they may have been created for.
But please: don’t get your hopes up that this Future post will be any more positive. If the past is bound to repeat itself, then my history of Future apathy will bear itself out once again in the near Future…
2018 Albums, Ranked
- Black Panther — Kendrick Lamar
- Dirty Computer — Janelle Monáe
- DAYTONA — Kanye West & Pusha T
- The Color of You — Alina Baraz
- KIDS SEE GHOSTS — Kanye West & Kid Cudi
- Light of Mine — KYLE
- Man of the Woods — Justin Timberlake
- beerbongs & bentleys — Post Malone
- ye — Kanye West
- My Dear Melancholy, — The Weeknd
- Shawn Mendes — Shawn Mendes
- DAY69 — 6ix9ine
- SR3MM — Rae Sremmurd, Swae Lee & Slim Jxmmi
- Testing — A$AP Rocky
- ? — XXXTENTACION
- Culture 2 — Migos
- Bobby Tarantino II — Logic
- Vacation in Hell — Flatbush Zombies
- GANGIN — SOB X RBE
- Sex & Cigarettes — Toni Braxton
- Isolation — Kali Uchs
- D6: Reloaded — Lil Wayne
- KOD — J. Cole
- Little Dark Age — MGMT
- Blue Madonna — BØRNS
- 44/876 — Sting & Shaggy
- Common Ground — Above & Beyond
- Amen — Rich Brian
- Five Five — Pouya
- For My Fans — Fetty Wap
- It’s Complicated — Wale
- California — Diplo
- Punken — Maxo Kream
- When We (Remix) — Tank
- 2.23 — Blac Youngsta
- Invasion of Privacy — Cardi B
- Trapholizay — Zaytoven
- Cosmic — Bazzi
- As She Pleases — Madison Beer
- Life of a Dark Rose — Lil Skies
- Love Yourself Tear — BTS
- Lost & Found — Jorja Smith
- Ready — Ella Mai
- BEWARE THE BOOK OF ELI — Ski Mask the Slump God
- Activated — Tee Grizzley
- God’s Favorite Customer — Father John Misty
- Vibras — J Balvin
- By the Way, I Forgive You — Brandi Carlile
- The Big Pescado — Berner
- P2 — Dave East
- Camila — Camila Cabello
- I Like It Loud — Tiesto
- M A N I A — Fall Out Boy
- Victory Lap — Nipsey Hussle
- MEMORIES DON’T DIE — Tory Lanez
- Bless Yo Trap — Smokepurpp & Murda Beatz
- Reckless — NAV
- The Longshot — The Longshot
- Fate — Tammy Rivera
- The World is Yours — Rich the Kid
- Kolorblind — DJ ESCO
- Edgewood — Trouble & Mike WiLL Made-It
- Hurtin’ Me — Stefflon Don
- F.A.M.E. — Maluma
- Voicenotes — Charlie Puth
- Rearview Town — Jason Aldean
- This One’s For You Too — Luke Combs
- Obsessed: Hedwig and the Angry Inch — Lena Hall
- November — SiR
- The Chocolate Box — Jeremih
- Goodbye & Good Riddance — Juice WRLD
- The Vault — G-Eazy
- Heart Break Kodak — Kodak Black
- Die Lit — Playboi Carti
- Ottopsy — Chief Keef
- Lil Boat 2 — Lil Yachty
- Glock Bond — Key Glock
- Drip Season 3 — Gunna
- Spiritual Conversations — Mozzy
- SUPERFLY — Future & Co.
- The Play Don’t Care Who Makes It — 2 Chainz
- Humble Beast (Deluxe) — G Herbo
- Rich As In Spirit — Rich Homie Quan
- Pain and Pleasure — Tink
- Golden Hour — Kacey Musgraves
- Ray Ray from Summerhill — YFN Lucci
- Freda’s Son — YFN Lucci
- We Beefin? — at Wendys
- Dex Meets Dexter — Famous Dex
- Harder Than Ever — Lil Baby
- Age Of — Oneohtrix Point Never
- Just Cause Y’all Waited — Lil Durk
- Apart — Pete Yorn & Scarlett Johansson
- The Marina — Curren$y & Harry Fraud
- Sick Boy…Everybody Hates Me — The Chainsmokers
- Hear No Evil — Young Thug
- Chained to the City — Kevin Gates
- Until Death Call My Name — YoungBoy Never Broke Again
- 2 Heartless — Moneybagg Yo
- Grow God — Money Man
- Don Talk — Don Q
- N****S Get Shot — Young Dolph
- Rich Hood — HoodRich Pablo Juan
- The Leek 4 — Chief Keef