Tel Aviv on Fire
Pair it with I Do Not Care If We Go Down in History as Barbarians for a double feature about art’s relationship to governmental authority (…and authoritative governments). Both wonder (they’re at least aware of the question) whether authors of art can comment on authoritarianism without participating in — or, worse, being complicit in upholding, and thus perpetuating — the preservation of that authority.
Light of My Life
Leave No Trace meets The Road meets Children of Men, but mediocre.