Watching The 7th Voyage of Egon Tichy [redux] can feel like a crazy-making experience, befitting a play about a man driven to-infinity-and-beyond his wits’ end.
Continue reading “Voyage”
Watching The 7th Voyage of Egon Tichy [redux] can feel like a crazy-making experience, befitting a play about a man driven to-infinity-and-beyond his wits’ end.
Continue reading “Voyage”
It’s always a gas to track overlaps between Under the Radar productions.
Continue reading “DIY”
One of Joe Pesci’s two scenes in Day of the Fight utilizes the audience’s familiarity with his oeuvre to make us feel the protagonist’s plight.
Continue reading “Cameo Joe”
It Ends with Us is back in the headlines, for reasons having almost nothing to do with what’s in the movie.
Continue reading “It Ends with Them”
A New Kind of Wilderness is basically a documentary sequel to Captain Fantastic.
Continue reading “A Sequel Kind of Documentary”
Memorizing lines is considered a bedrock of stage acting.
Continue reading “Eureka I Am Finding It”
Teeth’s songs skip the typical foreplay of showtunes, opting instead to immediately begin with lyrical shocks to the system.
Continue reading “Wait What’s Wet?”
On the stereotypical spectrum of high-school cliques, the jocks would be at one end, and the theater kids would be on the very opposite other side.
Continue reading “Until the Wheels Fall Off”
Read no further unless you saw Shit. Meet. Fan. at MCC.
Continue reading “Under the Fan”
This season’s revivals of Our Town and King Lear cut swaths from their original texts in order to emphasize a shared theme.
Continue reading “With A Quickness”