When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
Staged chaos is an oxymoron in terms.
Continue reading “What Reigns”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Best Picture is the most important Academy Award.
Continue reading “Shorties”
In the spirit of Oscars season, here are my favorite needle-drops from 2024 Cinema, in no discernible order:
Continue reading “Droppings”
A song that plays over a movie’s closing credits is given pride of place in the audience’s immediate response.
Continue reading “One for What?”
If the subject is the content of a biodoc, then aspects of their identity can inform the documentary’s form.
Continue reading “Form Content”
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
Continue reading “Not So Wonderful”
Ask everyone who sees Queer for a basic plot summary, and you won’t hear many mentions of Judaism, the Holocaust, nor 2001: A Space Odyssey.
Continue reading “But Why Not”