Speaking of London theatre double–features and The National’s The Motive and the Cue:
Continue reading “The Motive and the Wireless”
Speaking of London theatre double–features and The National’s The Motive and the Cue:
Continue reading “The Motive and the Wireless”
In case it hasn’t been clear, I just returned from a theater theatre week in London.
When a theater complex houses multiple stages, resonances can be drawn between simultaneous productions.
Continue reading “Olivier-Lyttelton”
Johnny Flynn is the caliber of British thespian all but expected to eventually unleash his Hamlet on the world (or, at least, on London).
Continue reading “To Be…ish”
Is “Teenage Dream” the jukebox musical’s snake-eating-its-own-tail-crossing-the-rubicon moment?
Continue reading “Teenage Stream”
Ambulatory stagings like Guys & Dolls at London’s Bridge Theatre reposition the customary relationship between audience and art.
Continue reading “Guys and Stalls”
A longtime dream coming true can clarify what we want that dream to look like in reality, even through contradistinction.
Continue reading “Horror House”
What’s wrong with this picture:
Continue reading “Best Showtune”
It’s time for another dispatch regarding Cinema 123’s continued survival.
Continue reading “Survivor?”
Is the Park Avenue Armory the only reserved-seating theater in the world where, when you purchase a ticket online, the website doesn’t offer a seating chart that displays the available seats??
Continue reading “The Blind Armory”