My eyes had the option of gazing upon the luscious sight of Denzel Washington and Jake Gyllenhaal sharing a stage in the flesh.
Continue reading “Colummm”
My eyes had the option of gazing upon the luscious sight of Denzel Washington and Jake Gyllenhaal sharing a stage in the flesh.
Continue reading “Colummm”
Most productions treat entrance applause as a mere break in the action, a pause to allow the audience to celebrate a luminary.
Continue reading “Hold Your Applause”
I’m not a fundamentalist when it comes to the use of AI in art.
Continue reading “The Clouds”
The Years, or: when trigger warnings double as dramaturgy.
Continue reading “Trigger Unhappy”
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
2025 Cinema is becoming a chronicle of AI’s continued encroachment onto screens around the world.
Continue reading “(Art)ificial”
Name a major city in America, and I should be able to rattle off a list of countless movies famously shot set on its streets.
Attention spans are fickle.
Continue reading “The First Gaffe”
Differentiation is a form of highlighting.
Continue reading “In Ourselves”
A technical difficulty during my performance of Boop! doubled as a lesson in staging.
Continue reading “Oops”