Better late than never!
Continue reading “The Stevens: The 2017-2018 Broadway Season”
Category: Boogaloo Down BROADWAY
Suddenly, Seymour is Here to Provide You Sweet Misunderstanding
Unlike a lot of other aspiring journalists with moral idealism coursing through their fingers, I usually don’t like to criticize the work of elder scribes.
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Parsing the Career of Jim Parsons (Briefly)
Jim Parsons is finally turning into a good actor!
Continue reading “Parsing the Career of Jim Parsons (Briefly)”
No, Seriously, There’s Nothing Wrong With That
In yesterday’s defense of movie-turned-musicals, I focused almost exclusively on analyzing this macro trend, rarely touching upon any specific micro examples.
Continue reading “No, Seriously, There’s Nothing Wrong With That”
Not That There’s Anything Wrong With That
Ever since the Tony Awards announced their Hollywood-property-dominated slate of nominees this year, a plethora of hot-take-prone cultural critics started — though really continued a trend that predates this season — bemoaning the fact that Broadway looks a lot more like movie theaters nowadays.
Continue reading “Not That There’s Anything Wrong With That”
“Original” Scores
For a movie or show to be nominated for Best Score at the Oscars or Tony (or any other offshoot) Awards, the music written for it must be predominantly original.
Subpar Theatre(s)
At the beginning of this season, I didn’t mind the fact that two shows I probably wouldn’t consider my cups-of-tea — Jimmy Buffet’s jukebox Escape to Margaritaville, and the two-part, interminably-excessive Harry Potter and the Cursed Child — were planning to occupy my two least favorite theatres on Broadway: respectively, the Marquis and the Ford Center for the Performing Arts-turned-Hilton-turned-Foxwoods-turned-Lyric (for now).
Tony Tony Tony Tony Tony
I will always endorse adding as many new categories as possible to the Tony Awards.
P.S. 2ST
Since I never like to judge anything until experiencing that thing firsthand, I thought twice before publishing this article back in 2017, which bemoans Second Stage’s decision to renovate the perfectly-fine HELEN Hayes Theatre, their new home on Broadway.
Write All Nite 