The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
Differentiation is a form of highlighting.
Continue reading “In Ourselves”
A technical difficulty during my performance of Boop! doubled as a lesson in staging.
Continue reading “Oops”
What’s up with British productions staging moments in which their actors exit not only the stage, but the entire theater?
Continue reading “Exeunt”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
Continue reading “Not So Wonderful”
Memorizing lines is considered a bedrock of stage acting.
Continue reading “Eureka I Am Finding It”
This season’s revivals of Our Town and King Lear cut swaths from their original texts in order to emphasize a shared theme.
Continue reading “With A Quickness”
There’s nothing more badass than an artist who follows up their most commercially successful hit by pulling an “and now for something completely different.”
Continue reading “Lineage”