While we’re on the topic of actorly attributes that contribute to a thoroughly-embodied performance:
Continue reading “Between Truth and Artifice”
While we’re on the topic of actorly attributes that contribute to a thoroughly-embodied performance:
Continue reading “Between Truth and Artifice”
While we’re on the topic of looking as acting, and acting as looking:
Continue reading “Samuel L. Parsons”
The current Broadway production of A Christmas Carol utilizes different generations of stagecraft to bring this centuries-old tale back to life.
Continue reading “Ghosts of Stagecraft PastPresentFuture”
Sometimes, a movie adaptation of a play makes you realize new dimensions to a seemingly straightforward moment of stagecraft in the original production.
Continue reading “WWTD”
Stagecraft is a physical ritual of gesture and word.
Continue reading “Rituals”
There’s a noble tradition throughout the annals of musical theater history that I like to call the “Now, Ulla belt!”
Continue reading “Mueller?… Mueller?… Mueller?”
One of the foremost pleasures of religiously following the theater world is being able to track generational canonization in real time.
Continue reading “Revitalizing the Canon”
Why have I been so drawn to unconventional uses of curtain calls lately?
Continue reading “Make It a Quadrilogy”
When an uber fan wants to preach the gospel of Broadway, they tend to focus on the best shows Broadway has to offer.
Continue reading “Mr. Every Night”
An unresearched, armchair, modern history of what I like to call the afterture, or: when the end of the plot isn’t the end of the musical.
Continue reading “Aftertures”