While we’re on the subject of A Doll’s House, it’s time to unleash my treatise on how many other shows overuse Ibsen’s iconic-cum-cliché ending, a tradition I’ve dubbed Pulling a Nora.
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Category: Boogaloo Down BROADWAY
Her Boots Are Made for Walking
Is it possible to spoil theater’s most famous ending?
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Rest in VO
“Hii, I’m Todd Haimes.”
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Roll Curtain
It also me, the nonsensically-obsessed chronicler of curtain-call norms.
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Now You Know?
What’s the wisest single minute in the history of musical theater?
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Colman Domingo Knows
Write All Nite has been screaming for Broadway to become a home to the horror genre.
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Plural for a Reason
Is Broadway history happening in Manhattan this season?
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The Satire is Coming from Outside the House
A production is not confined to the confines of its stage.
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P.S. In the Beginning…
Revisiting A Christmas Carol on Broadway made me realize a detail I missed regarding its generational stagecraft:
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Between Truth and Artifice
While we’re on the topic of actorly attributes that contribute to a thoroughly-embodied performance:
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