Being able to project your voice without the help of microphones is considered a lost art for actors of the stage today.
Continue reading “Projecting”
Being able to project your voice without the help of microphones is considered a lost art for actors of the stage today.
Continue reading “Projecting”
While we’re on the subject of A Doll’s House, it’s time to unleash my treatise on how many other shows overuse Ibsen’s iconic-cum-cliché ending, a tradition I’ve dubbed Pulling a Nora.
Continue reading “Pulling a Nora”
Is it possible to spoil theater’s most famous ending?
Continue reading “Her Boots Are Made for Walking”
“Hii, I’m Todd Haimes.”
Continue reading “Rest in VO”
It also me, the nonsensically-obsessed chronicler of curtain-call norms.
Continue reading “Roll Curtain”
What’s the wisest single minute in the history of musical theater?
Continue reading “Now You Know?”
Write All Nite has been screaming for Broadway to become a home to the horror genre.
Continue reading “Colman Domingo Knows”
Is Broadway history happening in Manhattan this season?
Continue reading “Plural for a Reason”
A production is not confined to the confines of its stage.
Continue reading “The Satire is Coming from Outside the House”
Revisiting A Christmas Carol on Broadway made me realize a detail I missed regarding its generational stagecraft:
Continue reading “P.S. In the Beginning…”