What can thrill us in a production a little while after the curtain rises?
Continue reading “Plop, Not Plot”
What can thrill us in a production a little while after the curtain rises?
Continue reading “Plop, Not Plot”
Sometimes, a play’s conversational concept is enough on its own to sustain our intrigue for the entirety of a performance.
Continue reading “Long Day’s Journey into Scandaltown”
No one in the history of the planet has ever been as enamored with neon fluorescent lights as Marianne Elliott.
Continue reading “Body Talk”
Try to follow me on this one:
The Royal Court’s here, and these Brits have some things to say, mostly damning, about men.
Every time I see a one-person play, it’s hard not to evaluate the form as a whole through the prism of each individual take on it.
And now, back to your regularly-scheduled programming: the big finish to my Cyprus Avenue trilogy!
Continue reading “A Walk on the Pedantic Side Up ‘Cyprus Avenue’”
Ever since Donald Trump stormed the White House, basically every major news outlet has spent valuable time and resources exploring the psychology of his voters.
Continue reading “A Walk on the Wild Side Down ‘Cyprus Avenue’”
Dear Royalty of the Stage and Screen:
Continue reading “LONG DAY’S JOURNEY INTO the Same Boring Revivals”
I concluded my recent post about expanding our conception of artistic originality by quoting, gulp, Kanye West.