On a ranked list of the Academy Awards’ litany of (insignificant) sins, the dominance of closing-credit songs over the Best Song Category is at the tippy-top of my own personal grievances.
Continue reading “Maybe You Don’t?”
On a ranked list of the Academy Awards’ litany of (insignificant) sins, the dominance of closing-credit songs over the Best Song Category is at the tippy-top of my own personal grievances.
Continue reading “Maybe You Don’t?”According to the logline for Misty, the next production at The Shed will follow:
Continue reading “Play Gentrification for Me”Theater is a localized art form.
Continue reading “Straight Line”While we’re on the topic of looking as acting, and acting as looking:
Continue reading “Samuel L. Parsons”While we’re on the topic of generational stagecraft:
Continue reading “Crafting the Stage”Sometimes, a movie adaptation of a play makes you realize new dimensions to a seemingly straightforward moment of stagecraft in the original production.
Continue reading “WWTD”Here’s the thing about symbolic stagecraft, and really all artistic symbolism:
Continue reading “Duplicitous Multiplicity”What’s the difference between watching a seance on a stage and watching a seance in “real” life?
Continue reading “Unblockable Blocking”Stagecraft is a physical ritual of gesture and word.
Continue reading “Rituals”Intentionally is impossible to deduce conclusively on a stage.
Continue reading “What Does It Mean to Belong”