What’re the odds that two separate musicals last season would have songs titled “Something from Nothing” and “Something Out of Nothing?”
Continue reading “From Out Of”
What’re the odds that two separate musicals last season would have songs titled “Something from Nothing” and “Something Out of Nothing?”
Continue reading “From Out Of”
Emma Rice’s decision to add a narrator to her stage adaption of North by Northwest leaves open the possibility that the entire production is meant to be understood as propaganda.
Continue reading “Narration Fabulation Nation”
Theater casting bends realism more than movie casts.
Continue reading “Embodied”
Washington D.C.’s Arena Stage premiered a musical version of A Wrinkle in Time this month.
Continue reading “A Residency Wrinkle”
Celine Song drops two theater-themed Easter eggs in Materialists, befitting her background — AND HOPEFULLY FUTURE — as a playwright:
Continue reading “Celeaster Egg Song”
Can you name a single musical steeped in the Islamic tradition?
Continue reading “Make the Case”
Generally speaking — AKA, I KNOW THERE ARE EXCEPTIONS APLENTY — musicals are staged in bigger theaters than plays.
Continue reading “In Around”
What do you remember about Pixar’s Up?
Continue reading “Rise and Cry”
The Shrouds isn’t the sole ending in theaters now that feels abrupt enough to have made both of my audiences guffaw at the sheer surprise of the credits rolling.
Continue reading “Resolute”
The Years, or: when trigger warnings double as dramaturgy.
Continue reading “Trigger Unhappy”