People have been known to ask me how I wade through EVERY NEW MOVIE released in theaters to determine which to see.
Continue reading “Calculus of a Release”
People have been known to ask me how I wade through EVERY NEW MOVIE released in theaters to determine which to see.
Continue reading “Calculus of a Release”
Tár threw Noémie Merlant’s hat in the ring for the title of cinema’s foremost starer.
Continue reading “More Than a Starer”
A globalized America deserves a globalized cinema.
Continue reading “Smoke Break”
Open captions challenge my preference for ambiguity in art.
Continue reading “Food of Love for Fodder”
If diehard moviegoers — yes, we still exist — don’t check in advance, they’re liable to find themselves in an open-captions screening.
Continue reading “Open Interpretations”
Disney is not Disney today without Alan Menken.
Continue reading “Menken It”
Hollywood’s relationship to using CGI has changed over the course of my moviegoing lifetime.
Continue reading “A Tale of Technology”
When Idina Menzel: Which Way to the Stage? (yay!) hit Disney+ (nay!), I theorized that no one has indoctrinated more generations to the Church of Show-Tunes than the titular Adele Dazeem.
Continue reading “How Do You Measure Influence?”
Write All Nite isn’t in the breaking-news business.
Continue reading “Escalator to Heaven”
What’s up with Ireland at the Academy Awards this season?
Continue reading “Bannerland”