A series of cinematic echoes, starting with the voice of After the Wedding:
A series of cinematic echoes, starting with the voice of After the Wedding:
In a Sundance relationship-drama wannabe, when a parental figure promises not to miss a tyke’s birthday bash, you damn well know they’re missing that party.
When you’re familiar with the source material, it’s hard not to judge the adaptation more than its actual content.
Los Reyes is up there with White God among my favorite pup pictures of recent years.
How is Ralph Fiennes, one of the best actors in the world, not getting offered better roles than Official Secrets?!
Strange But True is roughly the 30,573,483,483,084th movie — in 2019 alone! — to regurgitate the most overused device in the screenwriting (or, perhaps, the editing) handbook, one so prevalent I’ve even covered it before:
Don’t Let Go’s a potent premise, impotently told.
Not even a holiday — I’m OBVIOUSLY referring to my birthday yesterday, NOT Labor Day 😉 — can stop Write All Nite’s resident Pretend Film Programmer (AKA: it me) from pontificating on connections between new(ish) movies: