Love Hurts contains a bit of extra-textual casting.
Continue reading “Never Say Die”
Love Hurts contains a bit of extra-textual casting.
Continue reading “Never Say Die”
Three recent movies end with the same shot construction.
Continue reading “Down the Rabbit Hole”
Marcello Mio has inherent appeal for cinephiles of nepo-baby lineages.
Continue reading “Dadda Mia”
Remember when I hypothesized that Sony envisioned the 2024 documentary Luther: Never Too Much as a marketing slipstream in tandem with Sony’s new Luther Vandross greatest-hits compilation?
Continue reading “Never Too Much Slipstreaming”
Conventional wisdom says there’s one surefire sign that a musical has a fire score:
Continue reading “Earworming”
! Spoilers ahoy for The Room Next Door !
Continue reading “Tilda Tilda”
Best Picture is the most important Academy Award.
Continue reading “Shorties”
In the spirit of Oscars season, here are my favorite needle-drops from 2024 Cinema, in no discernible order:
Continue reading “Droppings”
A song that plays over a movie’s closing credits is given pride of place in the audience’s immediate response.
Continue reading “One for What?”
If the subject is the content of a biodoc, then aspects of their identity can inform the documentary’s form.
Continue reading “Form Content”