Unlike the hordes of deplorables who may use the hashtag that serves as the title of this piece to express their grievances regarding the casting-diversity in this year’s big-screen adaptation of Power Rangers, I wish to direct its sentiment not at the cast’s inclusive representation — one of the few redeeming qualities in the whole affair — but rather at the generic, superhero dreck that surrounds them.
A documentary about a tragically-seminal modern event like Ferguson sounds almost essential given the current political crisis.
Continue reading “WHOSE STREETS? (Sabaah Folayan & Damon Davis)”
2017 is shaping up to be a year of niche movies.
Annabelle: Creation is comprised almost exclusively of tired horror tropes, and even lacks the common positive ones (it couldn’t at least throw the audience the genre’s customarily stylish cinematography).
=As a newcomer to the #FreelanceLyfe, I’ve been revisiting some movies and shows from earlier this year trying to detect trends that would make for juicy pitches in the eyes of omnipotent editors.
A sheltered man with an unconventional mind lives a golden-spoon life far removed from the poverty right outside his not-so-humble abode. Some may call him simple, but his distinct perspective is a direct result of his only access to the outside world: obsessive television watching. Almost everything he knows about life has been gleaned from the boob tube. Through this small-screen understanding, he dupes his way into the highest offices of America, convincing the country he’s someone that he’s not.
Don’t worry: this is not yet another think piece about Donald J. Trump.
Trailers for Dax Shepard’s CHiPS looked waaaaaaay too generic.
After the deservedly abysmal response to last year’s Live by Night, it’s time to ask: Is Ben Affleck a great filmmaker, or just better than expected?
Continue reading “A Reappraising-Intervention for DIRECTOR Ben Affleck”
A series of accolades regarding Matt Reeves’ War for the Planet of the Apes:
Continue reading “WAR FOR THE PLANET OF THE APES (Matt Reeves)”
Looks like I’m going to have to start the cult fan-club for Luc Besson’s Valerian and the City of a Thousand Planets.
Continue reading “VALERIAN AND THE CITY OF A THOUSAND PLANETS (Luc Besson)”
