Knives and Skin showcases why horror’s a go-to genre for micro-budgets.
Knives and Skin showcases why horror’s a go-to genre for micro-budgets.
Errol Morris’ American Dharma joins the ranks of the countless profiles regarding Steve Bannon unleashed upon the world since he exploited Trump right into the White House.
We interrupt this Betrayal broadcast for a digression on plays related to the polemical dramas we discussed Monday.
I’ve been thinking a lot about the difference between a playwright’s voice and a play’s voice.
A clip-showish article for a clip-showish movie:
To continue — and to further complicate (hopefully) — Monday’s conversation concerning the treatment of morality in Harold Pinter’s Betrayal and Quentin Tarantino’s Once Upon a Time … in Hollywood:
Welcome to BETRAYED!, a week’s worth of diatribes inspired by the current Broadway revival of Harold Pinter’s Betrayal.
Chained for Life is 2019’s smartest cinematic contribution-cum-excavation of the current discourse surrounding #Representation.
The title of Imagining Madoff — now running at Theatre Row, courtesy of New Light Theater Project — describes both the play’s mission and its titular subject’s preferred activity, a duality that probes the similarities between Bernie’s famed — infamous? — misdeeds and the nature of historical storytelling in art.
Does Wednesday’s piece regarding The Death of Death Long feel…incomplete?