The Unicorn is worth seeing for two reasons:
The Unicorn is worth seeing for two reasons:
If you still need proof that writer/director J.C. Chandor’s work on 2013’s All Is Lost remains stranded aboard the shipwrecked SS Underrated, look no further than 2019’s Arctic.
A Dog’s Way Home is an early contender for The Sniffler of 2019.
An inordinately strong group this week:
A great — if burdensome, but damn near inevitable — test to distinguish a star from a movie star:
So I saw Free Solo again, this time in IMAX.
When will James Badge Dale be gifted a role worthy of his consistently-wasted talents, instead of being shackled by The Standoff at Sparrow Creek’s brand of rudimentary filmmaking?
Remember: I list albums in these roundups from best to worst.
2019’s first Weed in Art update (it’s been a while!) comes from an unlikely source:…a country album?!?!?!
Continue reading “Weed In Art: A Song At Last, A Song At Last!”
Entertainment Studios is primed to position itself as the go-to studio for cinematic delightmares.