Remember when Lincoln Center and the Park Avenue Armory imported the Royal Shakespeare Company for multiple productions performed in repertory about a decade ago?
Continue reading “Just a Tip”
Remember when Lincoln Center and the Park Avenue Armory imported the Royal Shakespeare Company for multiple productions performed in repertory about a decade ago?
Continue reading “Just a Tip”
There’s a noble tradition throughout the annals of musical theater history that I like to call the “Now, Ulla belt!”
Continue reading “Mueller?… Mueller?… Mueller?”
I try to avoid shilling for individual pieces of art.
Continue reading “Topdog/Underselling”
One of the foremost pleasures of religiously following the theater world is being able to track generational canonization in real time.
Continue reading “Revitalizing the Canon”
My name is critique, oh!
Continue reading “Allow Me to Reintroduce Myself”
Why have I been so drawn to unconventional uses of curtain calls lately?
Continue reading “Make It a Quadrilogy”
Baldwin and Buckley at Cambridge is at least the third example in six months of artists using their latest work to stage explicit self-castigations of their own past work.
Continue reading “Culpability”
When playing a celebrity, actors can don one of three general approaches:
Continue reading “Voodoo, Indeed”
Shakespeare’s plays reside so firmly in the public lexicon that their famous lines elicit chuckles of recognition out of audiences.
Continue reading “Radio Everywhere”
I’m on the perennial hunt for the artistically unexpected.
Continue reading “(theatric)visions”