A musical’s primary dramaturgy is rooted in which parts of the story the composers decide to set to music.
Continue reading “Lyle, Lyle, Dramaturgy”
A musical’s primary dramaturgy is rooted in which parts of the story the composers decide to set to music.
Continue reading “Lyle, Lyle, Dramaturgy”
Taking an adult stroll down Sesame Street — courtesy of The Musical!, now at Theatre Row — had the unexpected effect of making me realize anew both the extent and the nature of how Avenue Q riffs on the original series.
Continue reading “The Innuendo Is for Porn”
While we’re on the subject of musical lineages for Broadway beltesses:
Continue reading “The Gypsy Waitlist”
In my 32 year lifetime, has anyone converted more adolescent disciples to the religion of Musicals than Idina Menzel?
Continue reading “This Way to the Missionary”
Remember when Lincoln Center and the Park Avenue Armory imported the Royal Shakespeare Company for multiple productions performed in repertory about a decade ago?
Continue reading “Just a Tip”
There’s a noble tradition throughout the annals of musical theater history that I like to call the “Now, Ulla belt!”
Continue reading “Mueller?… Mueller?… Mueller?”
I try to avoid shilling for individual pieces of art.
Continue reading “Topdog/Underselling”
One of the foremost pleasures of religiously following the theater world is being able to track generational canonization in real time.
Continue reading “Revitalizing the Canon”
My name is critique, oh!
Continue reading “Allow Me to Reintroduce Myself”
Why have I been so drawn to unconventional uses of curtain calls lately?
Continue reading “Make It a Quadrilogy”