Write All Nite has been screaming for Broadway to become a home to the horror genre.
Continue reading “Colman Domingo Knows”
Write All Nite has been screaming for Broadway to become a home to the horror genre.
Continue reading “Colman Domingo Knows”
Is Broadway history happening in Manhattan this season?
Continue reading “Plural for a Reason”
According to the logline for Misty, the next production at The Shed will follow:
Continue reading “Play Gentrification for Me”
A production is not confined to the confines of its stage.
Continue reading “The Satire is Coming from Outside the House”
Revisiting A Christmas Carol on Broadway made me realize a detail I missed regarding its generational stagecraft:
Continue reading “P.S. In the Beginning…”
Theater is a localized art form.
Continue reading “Straight Line”
While we’re on the topic of actorly attributes that contribute to a thoroughly-embodied performance:
Continue reading “Between Truth and Artifice”
While we’re on the topic of looking as acting, and acting as looking:
Continue reading “Samuel L. Parsons”
While we’re on the topic of generational stagecraft:
Continue reading “Crafting the Stage”
The current Broadway production of A Christmas Carol utilizes different generations of stagecraft to bring this centuries-old tale back to life.
Continue reading “Ghosts of Stagecraft PastPresentFuture”