Reader, you know the drill.
Happy Tony Awards week!
Another op’nin’, another…exploitation of child labor?
Two trips down memory lane:
By the skin of our teeth:
Without altering a single line of dialogue, The Cake‘s script could be quite-easily staged to support the main character’s decision to stick to her homophobic principles in the face of a world changing too quickly for her to keep up.
Boesman and Lena = Waiting for Godot + Who’s Afraid of Virginia Woolf?.
When I saw Bonnie’s Last Flight at Next Door @ New York Theatre Workshop, I found its comedic barbs lobbed at flying the friendly skies rather refreshing, a no-brainer given the percentage of theatre audiences surely familiar with the subject.