While we’re on the subject of A Doll’s House, it’s time to unleash my treatise on how many other shows overuse Ibsen’s iconic-cum-cliché ending, a tradition I’ve dubbed Pulling a Nora.
Continue reading “Pulling a Nora”
While we’re on the subject of A Doll’s House, it’s time to unleash my treatise on how many other shows overuse Ibsen’s iconic-cum-cliché ending, a tradition I’ve dubbed Pulling a Nora.
Continue reading “Pulling a Nora”Is it possible to spoil theater’s most famous ending?
Continue reading “Her Boots Are Made for Walking”How many movies tell stories about characters that span over one decade?
Continue reading “Mother Time”No matter how many shows you see, stagecraft can always surprise, even through the simplest riffs on established norms.
Continue reading “Roving”First time, long time.
Continue reading “Sour Grapes?”Should I change Write All Nite’s name to Write All Curtain Calls?
Continue reading “A Very Obsessed Man with Enormous Curtain Calls”“Hii, I’m Todd Haimes.”
Continue reading “Rest in VO”TLDW for Playwrights Horizons’ Regretfully, So the Birds Are, the new movie Other People’s Children, and Kid Cudi cameos:
Continue reading “TLDW: Regretfully, Other Cudi”It also me, the nonsensically-obsessed chronicler of curtain-call norms.
Continue reading “Roll Curtain”