Immersive theatre is all the rage with the kids these days.
Author: Steven Strauss
Spotty
And now, it’s time for yet another piece of art with strong conceptual ideas hamstrung by inferior execution:
2018’s SHOOT IT STRAIGHT INTO MY FUCKING VEINS List — ()()
Three more songs to add to The List before we ring in September:
Continue reading “2018’s SHOOT IT STRAIGHT INTO MY FUCKING VEINS List — ()()”
Broadway Rocks? More like Broadway Summerstock
The 2017-2018 Broadway season was the most turgid in recent memory.
Continue reading “Broadway Rocks? More like Broadway Summerstock”
FUTV
Conformist cultural commentators on the interwebs like to boast about how TV’s toppled film in recent years.
Set vs. CD
Just when I thought I was out, Steve Angello pulls me back in.
Previously On…
With seemingly the entire film industry having contracted the plague of sequelitis, why don’t these endless franchises preface each installment with “previously on” montages, the sort popularized during television’s serialization epoch?
WTF Power Rankings
My favorite theatrical experiences leave me with the exhilarating rush of wonder that accompanies a brain wrapping itself around a trailblazing piece of art, a feeling that can actually be summed up in the Williamstown Theatre Festival’s preferred acronym’d nomenclature.
Dangerous House (WTF)
ONE of the many subjects explored in Dangerous House — rising star Jen Silverman’s new play, marking her return to the Williamstown Theatre Festival after last summer’s superior two-hander The Roommate — could serve as a potent enzyme to catalyze a compelling drama.
The Dumping Ground
Isn’t it a little too early in the year to be bitching about the Academy Awards?
Write All Nite 