If you’re even remotely tapped into the theatre world, then you’ve already read all the much-deserved praise regarding Lila Neugebauer’s direction of the true-ensemble in Pulitzer Prize finalist Sarah DeLappe’s The Wolves, currently winding down its third (3rd!) production in New York City, this time at Lincoln Center’s off-Broadway Mitzi E. Newhouse Theater. As such, hopefully you won’t fault me for not repeating it here.
Writing about Emimen and Lil Wayne in the same week — is it the mid-naughts up in here (up in here)?!
There are almost too many great movies in theaters right now; it’s hard to keep up!
Theatres around the world should produce Jocelyn Bioh’s School Girls; Or, The African Mean Girls Play.
Continue reading “SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY (MCC)”
Dirtying up a beloved childhood icon is one of the most reliable comedic formulas available to comic artists; it also tends to be a reliable formula to get sued.
Continue reading “WHO’S HOLIDAY! (Westside Theatre): How the Grinch Stole Seuss!”
What better time than the holiday season to re-don my Scrooge costume and rail against old theatres undergoing ahistorical facelifts…
Do you notice anything unusual about this trailer for The Insult, Lebanon’s shortlisted entry to this year’s Academy Awards:
Hi, my name is, what? My name is, who? My name is — *chika-chika* — another white dude who first fell in love with rap thanks to Eminem.
If you’re even remotely interested in the early days of Hollywood, and if all you know about Hedy Lamarr is that she’s considered one of the most gorgeous stars in the history of the silver screen, then Bombshell: The Hedy Lamarr Story is both for and about you.
Continue reading “BOMBSHELL: THE HEDY LAMARR STORY (Alexandra Dean)”
I want to start by stating for the record that I might be the world’s biggest, most stubborn proponent of seeing movies in movie theaters.
Continue reading “A Public Breakup With Village East Cinema”
Write All Nite 