And now, for some more double features:
Continue reading “Double Features! The Sequel!! (now with a triple-feature included!!!)”
Author: Steven Strauss
I Owe Hugh a Clarification
In my review of The Greatest Showman, I included this aside regarding Hugh Jackman:
Weed in Art 2018: An Insecure Defense
In response to my first formal Weed in Art piece, an anonymous commenter brought up the classic Reefer Madness, a borderline-propagandist short film from the 1930s that schools screened for students OVER DECADES, many of whose views were dictated by this now-hilariously over-the-top anti-drug PSA. Continue reading “Weed in Art 2018: An Insecure Defense”
This Week in Music: January 19-25
This week, I review — in descending order of quality — Fetty Wap’s For My Fans, Fall Out Boy’s M A N I A, and SiR’s November:
Weed in Art 2018: IN BETWEEN (Maysaloun Hamoud)
Write All Nite‘s 2018 New Year’s resolution: evaluate how marijuana is depicted in movies and theatre. For instance, I’ll praise portrayals that view smoking weed as a cognitive stimulant, and I’ll lambast those that regurgitate tired tropes about stoners. Light one up, baby!
Continue reading “Weed in Art 2018: IN BETWEEN (Maysaloun Hamoud)”
This Week in Music: January 1-18
This week, I review — in descending order of quality — BØRNS’ Blue Madonna, Maxo Kream’s Punken, Berner‘s The Big Pescado, Dave East’s P2, Lil Skies’ Life of a Dark Rose, Camila Cabello’s Camila, Stefflon Don’s Hurtin’ Me, HoodRich Pablo Juan’s Hood Rich, and Money Man’s Grow God:
A 21st Century Music Key
In yesterday’s Drake-filled post, I promised to explain why I felt the need to qualify labeling his new two-song Scary Hours as an “EP.”
SCARY HOURS (Drake)
In the scary hours of Friday night — AKA after midnight, technically Saturday morning — Drake released his new “EP” (an explanation for those quotes coming at a later date) Scary Hours, which basically continues More Life’s brand of groove over two more songs.
THE GREATEST SHOWMAN (Michael Gracey)
Starting a review of the relentlessly fluffy The Greatest Showman with a topic as serious as authorial intent may be unexpected, but that’s kind of the point:
MandaTony
Hot take: Every production that plays on Broadway for an extended period of time should be REQUIRED to provide tickets to Tony Awards voters.
Write All Nite 