Ars Nova taking over the Barrow Street Theatre is phenomenal news.
Ars Nova taking over the Barrow Street Theatre is phenomenal news.
How can Ridley Scott clown on Blade Runner 2049 for being too long when his All the Money in the World is also too long?
Continue reading “ALL THE MONEY IN THE WORLD (Ridley Scott)”
The title John Lithgow: Stories By Heart succinctly describes this one-man play starring, who else, John Lithgow, currently running at the Roundabout Theatre Club’s American Airlines Theatre:
Continue reading “JOHN LITHGOW: STORIES BY HEART (Roundabout)”
Fellowship for Performing Arts’ revival of William Nicholson’s 30-year-old, Tony Award-nominated Shadowlands — directed at a monotonously dull pace by Christa Scott-Reed at Theatre Row — is a period play that persistently plays the artificial period, not its timelessly human truth.
Continue reading “SHADOWLANDS (Fellowship for Performing Arts)”
At a time when so many curmudgeons complain that every story has already been told on the stage and screen, Birthright remains a surprisingly untapped subject. A group of horny, wealthy adolescents partying their way through an exotic foreign locale? WHERE’S MY TICKET?!
A Jewish family returning at the end of World War II to their home village that handed them over to the Nazis is not the type of story one would expect to be given the western treatment.
If you’re even remotely tapped into the theatre world, then you’ve already read all the much-deserved praise regarding Lila Neugebauer’s direction of the true-ensemble in Pulitzer Prize finalist Sarah DeLappe’s The Wolves, currently winding down its third (3rd!) production in New York City, this time at Lincoln Center’s off-Broadway Mitzi E. Newhouse Theater. As such, hopefully you won’t fault me for not repeating it here.
Writing about Emimen and Lil Wayne in the same week — is it the mid-naughts up in here (up in here)?!
There are almost too many great movies in theaters right now; it’s hard to keep up!