THIS WEEK’S LINEUP
Bull in a China Shop (LCT3)
Dear Evan Hansen (Broadway)
Escaped Alone (BAM)
THE GABRIELS: Election Year in the Life of One Family (Public)
Hamilton (Broadway)
Natasha, Pierre & The Great Comet of 1812 (Broadway)
The Object Lesson (NYTW)
The Present (Broadway)
The Strange Undoing of Prudencia Hart (McKittrick)
Sunday in the Park with George (Broadway)
Tell Hector I Miss Him (Atlantic)
BEST PICTURE
Oscar Nominees (ranked):
My Nominees (also ranked):
As a longtime listener of Set Lusting Bruce, I was honored when host extraordinaire Jesse Jackson (not THAT Jesse Jackson) asked to interview me on his wonderful podcast, which you can listen to by clicking here. Spoiler alert: Bruce (Springsteen) is the main subject of our conversation. If you like it despite my incessant stuttering, you really should listen to Jesse’s older episodes, and then subscribe to his iTunes network feed. Relevant links are below, but before I go, I just wanted to thank Mr. Jackson once again for the invitation. If you at all enjoy our chat, all credit should go to him; the success of an interview – which are harder than they look – depends waaaay more on the interviewer than the interviewee.
Continue reading “Now There’s Something Coming Through the Air…”
The Academy Awards are a hot topic right now leading up to Sunday, but very few talk about…THE SHORTS!!! Most people don’t know that the nominated Live Action (good), Animated (better), and Documentary (best) short films are currently playing in movie theaters near many of you (if not, they’re also online and on demand, but everyone who CAN see these in theaters should do so; they deserve the big screen treatment). Since it’s really the most unappreciated and flat out best annual movie event (FAAAAR more enjoyable than the actual Oscars ceremony), I decided to write a bit about this year’s entries:
Continue reading “THE OSCAR NOMINATED SHORT FILMS: The Most Unappreciated Annual Movie Event”
For much of my life, I’ve made a concerted effort to see wide release movies together in their opening weekends. Though rival studios only really focus on one element when choosing release dates – $$$$$ – unintentional connections can still be forced made between the flicks because most contemporaneous art tends to comment on shared factors intrinsic to the time and environment in which they’re produced. As such, I shall attempt to explore these ideas – BRIEFLY, I swear – every Monday through the lens of the weekend’s slate after having the opportunity to see them all (within reason). Though they’re almost always far superior offerings, because of their ever-changing release dates from city to city, independent films will be excluded from this series, which I’m dubbing “Weekends in the Cinema” (SONDHEIM!!!). Without further ado…
The three movies released wide this past weekend – A Cure for Wellness, The Great Wall, and Fist Fight – are all throwbacks in their own way:
Continue reading “A Weekend in the Cinema: A CURE FOR WELLNESS; THE GREAT WALL; FIST FIGHT”
Back in New York, back to Broadway. First stop, the current revival of Andrew Lloyd Webber’s Sunset Boulevard, whose conflicted quality can be summarized in these artistic paradoxes:
Continue reading “SUNSET BOULEVARD: Six Paradoxes in Search of a Resolution”
Based on his recent setlists, diversity must be on Bruce’s mind at the moment, undoubtedly due to Trump’s Muslim immigrant ban. To find evidence in support of this claim, one must only consult the words he used to introduce the tour premiere of “American Land” in Adelaide during his first concert after the ban:
Continue reading “SYDNEY 1: The Hands that Built the Country We’re Always Trying to Keep Out”
“Write All Nite is a website, NOT a fucking blog.”
Write All Nite 