You’ve just crossed over into the reductive zone.
Continue reading “The Mediums Are The Message”
You’ve just crossed over into the reductive zone.
Continue reading “The Mediums Are The Message”
A postscript to my screed on original songs appearing in opening credits:
Continue reading “P.S. Fight. The. Power.”
The Son and Knock at the Cabin seem to agree with one of my core artistic tenets:
Continue reading “Boogie”
There are two types of people in this world:
Continue reading “Living Rent-Free”
On a ranked list of the Academy Awards’ litany of (insignificant) sins, the dominance of closing-credit songs over the Best Song Category is at the tippy-top of my own personal grievances.
Continue reading “Maybe You Don’t?”
This year’s Infinity Pool and last year’s The Forgiven share roughly the same plot:
Continue reading “Infinity Forgiven”
Different types of art can be enjoyed in different ways.
Continue reading “Head of Egg”
Horror channels its own Zeitgeist’s fears.
Continue reading “Bootif”
How do a cohort of women work together to protect themselves against societally-sanctioned rape in a secluded community?
Continue reading “Women of the Mist”
Did someone mention animated title sequences?
Continue reading “Does Anyone Else Care?”