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Author: Steven Strauss

The Covid Stevens

On May 6, 2021June 22, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

The Stevens = my Oscars.

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Percy Vs Goliath

On May 3, 2021May 3, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

A depressingly-macabre side effect of the past year’s gruesomeness:

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The Covid Oscars

On April 26, 2021May 3, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go See2 Comments

Today: my Covid-Oscars ballot.

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Expolistin’

On April 23, 2021April 23, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Why do I have such an axe to grind against exposition?

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Show and Tell

On April 19, 2021April 19, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Pompous-phobic writers (an oxymoron in terms?) try to avoid quoting themselves, for probably obvious reasons.

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Shiver Baby

On April 16, 2021April 19, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Shiva Baby mines the fine line between comedy and horror. 

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Klara and the Science Fiction

On April 14, 2021April 19, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Did you know that I also read books?! 

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Benedict CumberHitch

On April 12, 2021April 12, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Waaaaay back in March 2021, I shared the following observation in response to The Courier:

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Reichardt Retrospective Rankings

On April 8, 2021April 9, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Filmmaker Kelly Reichardt is to Oregon / the Pacific Northwest and film what playwright Samuel D. Hunter is to Idaho and live theater.

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A Defining Bug

On April 6, 2021April 6, 2021 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

The relationship between the first scene of the Oscars-shortlisted (should’ve been Oscar-nominated) 76 Days and the rest of the documentary is the art of juxtaposition. 

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