I’ve been thinking a lot about the difference between a playwright’s voice and a play’s voice.
I’ve been thinking a lot about the difference between a playwright’s voice and a play’s voice.
To continue — and to further complicate (hopefully) — Monday’s conversation concerning the treatment of morality in Harold Pinter’s Betrayal and Quentin Tarantino’s Once Upon a Time … in Hollywood:
Welcome to BETRAYED!, a week’s worth of diatribes inspired by the current Broadway revival of Harold Pinter’s Betrayal.
My favorite Broadway musical of the 2018-2019 season: Choir Boy.
My complete recap of the 2018-2019 theatre season:
My recap thus far of the 2018-2019 theatre season:
Continue reading “2018-2019 Theatre: Broadway, Power Rankings”
My recap thus far of the 2018-2019 theatre season:
Continue reading “2018-2019 Theatre: Broadway, Play Categories”
My recap thus far of the 2018-2019 theatre season:
Continue reading “2018-2019 Theatre: Broadway, Musical Categories”
I finally saw What the Constitution Means to Me on Broadway! Which means:
Continue reading “2018-2019 Theatre: Broadway, Miscellaneous Categories”
Last month, Beetlejuice on Broadway inspired this observation:
Continue reading “Something for No One: Musical Theatre Comedy, Not Tonight!”