Manhunt is Nicolas Winding Refn’s Bronson for the stage. 

Cymbeline, but make it Denis Villeneuve’s Dune.

Deviating from cliches in art can draw attention to the deviation. 

Cameron Mackintosh’s (or is it Matthew Bourne’s?) Oliver! — now at London’s Gielgud Theatre — has the aesthetics of Tommy Kail’s Sweeney Todd.

I’m no scholar of antiquity, but my understanding of Greek tragedies is that they oscillate between character scenes and chorus scenes.

When a musical is based on a known property, the powers-that-be seem to believe that adding songs is enough of a change to raise interest in a story that audiences are already familiar with. 

Unicorn is a dramaturgical thought-experiment.