And now, we return to one of Write All Nite’s favorite concepts: deliberately-ineffectual art that serves the art’s ultimate effect.
Continue reading “Who Killed My Distance”
And now, we return to one of Write All Nite’s favorite concepts: deliberately-ineffectual art that serves the art’s ultimate effect.
Continue reading “Who Killed My Distance”
For theater geeks of a certain age, Which Way to the Stage is as reflective as art gets.
Continue reading “Which Way Back to Me”
A musical version of Romeo and Juliet.
Continue reading “Circling the Drain”
The dramaturgy of A Case for the Existence of God’s staging doubles as existential philosophy.
Continue reading “A Case for the Existence of Perspective”
Should abstract art clarify the abstraction so that audiences can cohere it into some sort of comprehensible whole?
Continue reading “Start Making Sense by Stop Making Sense”
Lyrics can be open to multiple interpretations that change their meaning.
Continue reading “In Good Company”
Remember when two different theater companies simultaneously decided to stage (restage?) James Baldwin and William Buckley’s 1965 debate?
Continue reading “Toils and Troubles”
When there’s nary an obvious mention of God in a play titled A Case for the Existence of God, what represents the play’s titular deity is open to interpretation.
Continue reading “Case Made”
Where were you when the ending didn’t drop?
Continue reading “At the Ending”
Let’s talk about allegories, shall we?
Continue reading “Allegorical”