If theater is a study of bodies in space, then the medium has so far largely elided studying how Covid’s ultimate iconography fundamentally altered the ways that modern bodies relate to each other.
Continue reading “Tragicomedy”
Category: Look Over Yonder See Them OFF-BROADWAY Lights
ReCycling, RePsychling, RePsycheling
When Theatre for One’s roving, tête-à-tête box first rolled into the lobby of the Signature Theatre way back in 2016, the programmed micro plays related to each other through little more than their shared means of production.
Continue reading “ReCycling, RePsychling, RePsycheling”
O Yondr, Where Art Thou?
Mr. Parker turns the necessary “evil” of Yondr into a dramaturgical good.
Continue reading “O Yondr, Where Art Thou?”
Durable Durations
I hereby request that more movies and stage productions subvert how audiences expect to spend their time in a theater.
Continue reading “Durable Durations”
Who Killed My Distance
And now, we return to one of Write All Nite’s favorite concepts: deliberately-ineffectual art that serves the art’s ultimate effect.
Continue reading “Who Killed My Distance”
Which Way Back to Me
For theater geeks of a certain age, Which Way to the Stage is as reflective as art gets.
Continue reading “Which Way Back to Me”
Circling the Drain
A musical version of Romeo and Juliet.
Continue reading “Circling the Drain”
A Case for the Existence of Perspective
The dramaturgy of A Case for the Existence of God’s staging doubles as existential philosophy.
Continue reading “A Case for the Existence of Perspective”
Start Making Sense by Stop Making Sense
Should abstract art clarify the abstraction so that audiences can cohere it into some sort of comprehensible whole?
Continue reading “Start Making Sense by Stop Making Sense”
In Good Company
Lyrics can be open to multiple interpretations that change their meaning.
Continue reading “In Good Company”
