Back in 2016, there was a concert performance of Ragtime inside the Registry Room on Ellis Island.
Back in 2016, there was a concert performance of Ragtime inside the Registry Room on Ellis Island.
For a movie or show to be nominated for Best Score at the Oscars or Tony (or any other offshoot) Awards, the music written for it must be predominantly original.
To adequately express the extremity of their ardent adoration for a particular performer, theatergoers often fall back on the following familiar formulation:
Continue reading “Adam Rapp’s THE EDGE OF OUR BODIES (TUTA Theatre @ 59E59)”
This season’s productions of 21st Century Bluesand Party Face represent two sides of the same coin, reflecting the current state of the commercial landscape for off-Broadway plays.
Continue reading “PARTY FACE, and the Commercial State of Off-Broadway Plays”
Last week, I mentioned how most people judge artist’s based on their best work, while I tend to prioritize range in a more holistic approach.
Next Door at New York Theatre Workshop’s production of Dinner with Georgette is basically Tony Kushner gone wrong.