The Birds immediately impresses with a uniform style that’s anything but uniform, pulling off the tricky combination of quirky esotericism.
The Birds immediately impresses with a uniform style that’s anything but uniform, pulling off the tricky combination of quirky esotericism.
The following request would probably be more appropriate — and potentially more effective — on Twitter, but it’s a cause too near and dear to my heart to relegate to the trenches of social media discourse.
Me and My Girl, the final production of this Encores! season, is very…Encores!
I concluded my recent post about expanding our conception of artistic originality by quoting, gulp, Kanye West.
Back in 2016, there was a concert performance of Ragtime inside the Registry Room on Ellis Island.
For a movie or show to be nominated for Best Score at the Oscars or Tony (or any other offshoot) Awards, the music written for it must be predominantly original.
To adequately express the extremity of their ardent adoration for a particular performer, theatergoers often fall back on the following familiar formulation:
Continue reading “Adam Rapp’s THE EDGE OF OUR BODIES (TUTA Theatre @ 59E59)”